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home·artworks·Young commoner in Venice
Young commoner in Venice by Noè Bordignon

plate no. 8846

Young commoner in Venice

Noè Bordignon

oilRealismportraitportraitfigurescarfbuildingswatercityscape
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, as well as creating atmospheric perspective in the background cityscape.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the proportions of the figure and the placement of the cityscape elements.

  2. step 02

    Establish the background with a thin wash of muted colors, creating depth and atmosphere.

  3. step 03

    Block in the main shapes of the figure, paying attention to the light and shadow patterns.

  4. step 04

    Begin refining the facial features, focusing on accurate proportions and subtle value changes.

  5. step 05

    Develop the details of the scarf and clothing, capturing the folds and textures.

  6. step 06

    Add highlights and shadows to create form and dimension.

  7. step 07

    Refine the background details, softening edges and adding atmospheric perspective.

  8. step 08

    Add final details and adjust values to create a cohesive and balanced composition.

color palette

primary · red ochre · ivory black · titanium white · raw umber

secondary · ultramarine blue · yellow ochre

Achieve skin tones by mixing white, red ochre, and a touch of raw umber. Muted background colors are created by mixing complementary colors.

techniques

  • ·portrait painting
  • ·blending
  • ·atmospheric perspective
  • ·value studies
  • ·layering

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated, resulting in an unnatural appearance.
  • →Neglecting the importance of accurate proportions.

materials

surface · stretched canvas

required

  • ·Stretched canvas 16x20
  • ·Oil paints: red ochre, ivory black, titanium white, raw umber, ultramarine blue, yellow ochre
  • ·Round brushes (sizes 2, 4, 6)
  • ·Flat brushes (sizes 4, 8)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife

optional

  • ·medium gloss
  • ·retouch varnish

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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