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Young boy by Michele Cammarano

plate no. 9088

Young boy

Michele Cammarano

oil, canvasRealismportraitportraitfiguremanhatclothinghead
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and creating form through subtle value changes. It's a good exercise in capturing a likeness and understanding light and shadow on a face.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, hat, and clothing on the canvas.

  2. step 02

    Establish the background color with a thin wash of gray.

  3. step 03

    Block in the main areas of color: skin tones, hat, red shirt, and jacket.

  4. step 04

    Begin refining the skin tones, paying attention to subtle shifts in value and color temperature.

  5. step 05

    Develop the details of the hat, including the brim and the band.

  6. step 06

    Add details to the clothing, such as the buttons and the collar.

  7. step 07

    Refine the facial features, focusing on the eyes, nose, and mouth.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · raw umber · titanium white · cadmium red light

secondary · ivory black · yellow ochre · ultramarine blue

Skin tones are achieved by mixing raw umber, yellow ochre, and titanium white, with small amounts of cadmium red for warmth. The gray background is a mix of titanium white, ivory black, and a touch of ultramarine blue.

techniques

  • ·portraiture
  • ·color mixing
  • ·value studies
  • ·blending
  • ·layering

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the skin tones and losing the subtle variations.
  • →Making the colors too saturated or bright.
  • →Ignoring the importance of highlights and shadows.

materials

surface · stretched canvas

required

  • ·Stretched canvas (12x16 inches)
  • ·Oil paints (raw umber, titanium white, cadmium red light, ivory black, yellow ochre, ultramarine blue)
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Paper towels

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a medium-grit canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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