apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·York Watergate and the Adelphi from the River, London
York Watergate and the Adelphi from the River, London by John O'Connor

plate no. 5046

York Watergate and the Adelphi from the River, London

John O'Connor, 1872

oil, canvasRealismcityscapewaterbuildingsarchitectureboatsfiguressky
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering complex architectural details with subtle color variations. Students will also learn to create depth through layering and value changes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the composition and perspective of the buildings and watergate.

  2. step 02

    Block in the main shapes and colors of the sky, water, and buildings using thin washes.

  3. step 03

    Develop the architectural details of the buildings and watergate, paying attention to light and shadow.

  4. step 04

    Add details to the boats and figures, focusing on their placement and scale within the scene.

  5. step 05

    Refine the reflections in the water, using horizontal brushstrokes to create a sense of movement.

  6. step 06

    Layer glazes to deepen shadows and enhance the atmospheric perspective.

  7. step 07

    Add final highlights and details to bring the painting to life.

  8. step 08

    Step back and adjust values and colors as needed to achieve a cohesive and balanced composition.

color palette

primary · raw umber · yellow ochre · titanium white · Prussian blue

secondary · burnt sienna · cadmium yellow · ivory black

Achieve the muted tones by mixing earth tones with white and small amounts of blue or yellow. Use glazes of burnt sienna and raw umber to create depth and shadows.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·linear perspective

common pitfalls

  • →Incorrect perspective of the buildings.
  • →Overly bright or saturated colors.
  • →Lack of depth in the water.
  • →Ignoring the subtle value changes in the sky.
  • →Getting lost in the details too early.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use a medium-grit canvas for better texture. Consider using a toned canvas to establish the base color.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy