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home·artworks·Wood in the evening
Wood in the evening by Iván Shishkin

plate no. 0156

Wood in the evening

Iván Shishkin, 1869

oilRealismlandscapetreesforestpathsunsetfigurelandscape
some experience helpful

Recreating this painting will help students develop skills in layering, atmospheric perspective, and creating depth using value and color variations. It also provides practice in rendering realistic textures of trees and foliage.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees, path, and figure.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber, paying attention to the light source.

  3. step 03

    Block in the sky with light yellows, oranges, and blues, blending them softly.

  4. step 04

    Begin layering the trees in the background, using darker greens and browns to create depth.

  5. step 05

    Add the main tree in the foreground, focusing on its texture and form.

  6. step 06

    Paint the path with varying shades of brown and green, suggesting the texture of the ground.

  7. step 07

    Add the figure, keeping it simple and in proportion to the landscape.

  8. step 08

    Refine details such as branches, leaves, and highlights to create a sense of realism.

color palette

primary · burnt umber · yellow ochre · titanium white · sap green

secondary · cadmium orange · ultramarine blue · alizarin crimson

Mix greens by combining yellow ochre and ultramarine blue, adjusting the ratio for different shades. Achieve the sunset colors by blending cadmium orange, alizarin crimson, and titanium white. Use burnt umber and ultramarine blue for dark shadows.

techniques

  • ·layering
  • ·blending
  • ·dry brushing
  • ·atmospheric perspective
  • ·scumbling

common pitfalls

  • →Overworking the details too early in the process.
  • →Creating too much contrast in the background, flattening the depth.
  • →Using pure colors without mixing, resulting in an unnatural look.
  • →Ignoring the subtle value changes in the foliage.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·#4 round brush
  • ·#8 flat brush

optional

  • ·medium gloss
  • ·easel
  • ·painting rags

Use a medium-tooth canvas for better texture. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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