
plate no. 1443
Gerard Terborch, 1655
This painting provides practice in rendering realistic skin tones and drapery folds, as well as creating a sense of depth through subtle value changes. Students can also learn to depict textures of different materials like wood, fabric, and metal.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the placement of the figure and the table.
Establish the dark background using thin washes of dark brown.
Block in the main shapes of the figure, table, and fabric with mid-tone colors.
Begin layering lighter tones on the figure's face and dress to create form.
Add details to the table and objects, paying attention to highlights and shadows.
Refine the drapery folds and textures of the fabric.
Add the final details such as the pen, inkwell, and letter.
Adjust values and colors to create a cohesive and atmospheric effect.
color palette
primary · burnt umber · yellow ochre · titanium white
secondary · ultramarine blue · cadmium red light
Mix burnt umber and yellow ochre for the warm browns. Add white to create lighter skin tones and fabric highlights. Use ultramarine blue sparingly for cool shadows and details.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a high-quality canvas primed with oil-based primer for best results. Consider using a limited palette to simplify color mixing.
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