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home·artworks·Woman with basket of beans in the kitchen garden
Woman with basket of beans in the kitchen garden by Pieter de Hooch

plate no. 5161

Woman with basket of beans in the kitchen garden

Pieter de Hooch, 1651

oil, canvasBaroquegenre paintingbuildinggardenfigurebrickfoliagepath
some experience helpful

Recreating this painting will help students develop skills in rendering realistic textures like brick and foliage, as well as understanding atmospheric perspective to create depth.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the perspective of the buildings and the placement of the figure.

  2. step 02

    Block in the large areas of color, starting with the sky and then the buildings and foliage.

  3. step 03

    Develop the brick texture on the buildings, paying attention to the light and shadow.

  4. step 04

    Add details to the foliage, using a variety of greens and browns to create depth.

  5. step 05

    Paint the figure, focusing on the folds of the clothing and the details of the face.

  6. step 06

    Refine the details of the path and the garden, adding small plants and shadows.

  7. step 07

    Add final highlights and shadows to create a sense of realism.

  8. step 08

    Glaze with thin layers to unify the colors and create a sense of atmosphere.

color palette

primary · burnt sienna · yellow ochre · titanium white · ivory black

secondary · sap green · ultramarine blue · cadmium red light · raw umber

Mix greens by combining yellow ochre, ultramarine blue, and a touch of burnt sienna. Use white to lighten colors and create highlights. Mix browns with burnt sienna, raw umber, and black.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·rendering brick texture
  • ·layering

common pitfalls

  • →Overworking the details too early
  • →Not establishing a clear value structure
  • →Ignoring the effects of atmospheric perspective
  • →Using too much detail in the background
  • →Incorrect perspective on the buildings

materials

surface · stretched canvas

required

  • ·Stretched canvas 16x20
  • ·Oil paints (burnt sienna, yellow ochre, titanium white, ivory black, sap green, ultramarine blue, cadmium red light, raw umber)
  • ·Assorted brushes (round, flat, filbert)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·Medium gloss
  • ·Retouch varnish
  • ·Easel

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for layering.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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