apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Woman sitting by a window sewing
Woman sitting by a window sewing by Silvestro Lega

plate no. 3369

Woman sitting by a window sewing

Silvestro Lega, 1872

oil, panelRealismgenre paintingfigurewindowinteriorsewingtablebuildings
some experience helpful

Recreating this painting will help students develop skills in rendering realistic light and shadow, as well as creating a sense of depth and atmosphere. It also offers practice in depicting fabric and textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the main shapes and composition.

  2. step 02

    Block in the large areas of color, focusing on the overall value structure.

  3. step 03

    Develop the background, including the buildings seen through the window.

  4. step 04

    Refine the figure, paying attention to the folds of the fabric and the details of her face and hands.

  5. step 05

    Add details to the table and other objects in the room.

  6. step 06

    Adjust the values and colors to create a sense of depth and atmosphere.

  7. step 07

    Add final highlights and details.

  8. step 08

    Review and adjust the painting as needed.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · ultramarine blue · yellow ochre

Mix burnt umber and raw sienna with white for the warm tones of the walls and furniture. Add small amounts of ultramarine blue to create cooler shadows.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Failing to create a sense of depth and atmosphere.
  • →Overworking the details.
  • →Not paying enough attention to the light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·linseed oil
  • ·assorted brushes

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy