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home·artworks·Woman Holding a Balance
Woman Holding a Balance by Johannes Vermeer

plate no. 4472

Woman Holding a Balance

Johannes Vermeer, 1665

oil, canvasBaroquegenre paintingfigureinteriorjewelrytablepaintingscales
some experience helpful

Recreating this painting will help students develop skills in rendering realistic skin tones and drapery, as well as understanding the use of light and shadow to create depth and form. It also provides practice in creating a sense of atmosphere and mood through subtle color variations.

technical profile

palette complexity
4
brushwork visibility
2
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the composition, focusing on the placement of the figure, table, and other key elements.

  2. step 02

    Block in the main areas of color, starting with the background and large shapes like the woman's dress and the table.

  3. step 03

    Develop the values and tones, paying close attention to the light source and how it affects the forms.

  4. step 04

    Start refining the details of the figure, including the face, hands, and clothing.

  5. step 05

    Work on the still life elements on the table, focusing on the textures and reflections of the jewelry and other objects.

  6. step 06

    Add the details of the painting in the background, capturing its overall tone and composition.

  7. step 07

    Refine the overall painting, adjusting values, colors, and details as needed.

  8. step 08

    Add final glazes to enhance the depth and richness of the colors.

color palette

primary · ultramarine blue · yellow ochre · ivory black · titanium white

secondary · burnt umber · raw sienna · vermilion

Achieve the subtle grays and browns by mixing ivory black, titanium white, and small amounts of yellow ochre and burnt umber. The deep blues are achieved by mixing ultramarine blue and ivory black, and glazing with ultramarine. Skin tones are achieved by mixing titanium white, yellow ochre, and a touch of vermilion.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·underpainting
  • ·blending

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Ignoring the subtle color variations in the shadows and highlights.
  • →Not paying attention to the proportions of the figure and objects.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·damar varnish
  • ·medium (e.g., Liquin)

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the overall color scheme.

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related guides

oil painting for beginners →chiaroscuro →paint like vermeer →how to learn by studying the masters →
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