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home·artworks·Woman Drinking Wine
Woman Drinking Wine by Gerard Terborch

plate no. 4679

Woman Drinking Wine

Gerard Terborch, 1657

oil, canvasBaroquegenre paintingfigureinteriortablebookwine jugchair
some experience helpful

Recreating this painting will help students develop skills in rendering realistic skin tones and capturing the subtle interplay of light and shadow in a dark interior. It also provides practice in depicting textures of different materials like fabric and wood.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, table, and background elements.

  2. step 02

    Establish the overall value structure by blocking in the dark background and the lighter areas of the figure and table.

  3. step 03

    Begin refining the figure's face and hands, paying close attention to the subtle gradations of light and shadow.

  4. step 04

    Develop the details of the clothing, including the folds and textures of the fabric.

  5. step 05

    Paint the table and its contents, focusing on the reflections and highlights on the objects.

  6. step 06

    Add the background details, such as the curtain and the wall, using a limited palette of muted colors.

  7. step 07

    Refine the edges and details throughout the painting, ensuring that the overall composition is balanced and harmonious.

  8. step 08

    Add final glazes to enhance the depth and richness of the colors.

color palette

primary · burnt umber · ivory black · titanium white · yellow ochre

secondary · cadmium red light · ultramarine blue

Mix various shades of brown and gray by combining burnt umber, ivory black, and titanium white. Use yellow ochre and cadmium red light to create the warm tones of the skin and clothing. Add small amounts of ultramarine blue to darken the shadows.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·underpainting
  • ·blending

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too bright or saturated.
  • →Ignoring the subtle gradations of light and shadow.
  • →Not paying attention to the proportions of the figure.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·#4 round brush
  • ·#6 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·turpentine
  • ·cadmium red light oil paint
  • ·ultramarine blue oil paint

Use a high-quality canvas with a smooth surface for best results. Consider using a limited palette of colors to simplify the mixing process.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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