apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Woman Combing Her Hair
Woman Combing Her Hair by Pieter Codde

plate no. 9728

Woman Combing Her Hair

Pieter Codde, 1635

oilBaroquegenre paintingfigurehairinteriortableclothlute
some experience helpful

Recreating this painting will help students develop skills in rendering fabric folds, capturing subtle light and shadow, and creating a sense of depth in an interior scene. It also provides practice in portraiture and depicting realistic hair.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the main shapes: figure, table, and background.

  2. step 02

    Establish the overall value structure by blocking in the dark and light areas with thin washes.

  3. step 03

    Start with the background, gradually building up the color and texture.

  4. step 04

    Move on to the figure, focusing on the face and hands first.

  5. step 05

    Carefully render the folds and highlights in the fabric of the dress and tablecloth.

  6. step 06

    Add details to the hair, using small brushstrokes to create texture and movement.

  7. step 07

    Refine the details and adjust the values to create a sense of depth and realism.

  8. step 08

    Add final highlights and shadows to enhance the form and create a focal point.

color palette

primary · raw umber · titanium white · ivory black

secondary · yellow ochre · burnt sienna

Achieve the muted tones by mixing the primary colors with small amounts of secondary colors. Use white to lighten the values and create highlights.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·blending
  • ·layering

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too bright or saturated.
  • →Ignoring the subtle variations in tone and texture.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium (e.g., Liquin)
  • ·varnish

Use high-quality oil paints for best results. Consider using a toned canvas to simplify the initial stages of painting.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne