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home·artworks·Winter Scene on the Ice
Winter Scene on the Ice by Jan van Goyen

plate no. 6741

Winter Scene on the Ice

Jan van Goyen

oilBaroquelandscapefiguresiceskylandscapewindmillwinter
some experience helpful

This painting provides a great opportunity to practice atmospheric perspective and rendering figures in a landscape. Students can also learn to create a sense of depth and distance through subtle color and value changes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to the horizon line and the placement of major elements.

  2. step 02

    Establish the sky with broad, blended strokes of light and dark grays and blues.

  3. step 03

    Block in the ice surface with a light gray-blue wash, creating subtle variations in tone.

  4. step 04

    Add the distant landscape elements, such as the windmill and boats, using muted colors and soft edges.

  5. step 05

    Paint the figures in the foreground, starting with the larger shapes and gradually adding details.

  6. step 06

    Use a dry brush technique to create texture on the ice and clothing.

  7. step 07

    Add highlights and shadows to define the forms and create a sense of depth.

  8. step 08

    Refine the details and adjust the values to create a cohesive and atmospheric painting.

color palette

primary · gray · light blue · ochre

secondary · burnt umber · white · raw sienna

Mix grays by combining white, black, and a touch of blue or brown. Use ochre and burnt umber to create warm earth tones for the figures and landscape.

techniques

  • ·atmospheric perspective
  • ·dry brush
  • ·blending
  • ·scumbling
  • ·grisaille underpainting

common pitfalls

  • →Overworking the details in the background, which can flatten the perspective.
  • →Using colors that are too saturated, which can detract from the atmospheric effect.
  • →Failing to establish a clear value structure, which can make the painting look muddy.
  • →Making the figures too detailed compared to the background.

materials

surface · stretched canvas

required

  • ·Stretched canvas (12x16 or similar)
  • ·Oil paints: white, black, light blue, ochre, burnt umber
  • ·Round brushes (various sizes)
  • ·Flat brushes (various sizes)
  • ·Palette
  • ·Linseed oil or other painting medium
  • ·Odorless mineral spirits or turpentine
  • ·Rags or paper towels

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

A toned canvas (light gray or ochre) can be helpful for establishing the overall value structure.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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