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home·artworks·Winter Scene on a Canal
Winter Scene on a Canal by Hendrick Avercamp

plate no. 0267

Winter Scene on a Canal

Hendrick Avercamp, 1615

oilBaroquelandscapewinterlandscapefiguresbuildingscanalsky
experienced study

Recreating this painting will help students develop skills in atmospheric perspective and rendering complex scenes with many figures. It also provides practice in creating a sense of depth and distance through subtle value and color changes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the buildings, the tree, and the horizon line.

  2. step 02

    Establish the sky with a thin wash of muted colors, creating a sense of atmosphere.

  3. step 03

    Block in the main shapes of the buildings and the ice, paying attention to their relative values.

  4. step 04

    Start adding details to the buildings, including the snow on the roofs and the textures of the walls.

  5. step 05

    Begin painting the figures, starting with the larger ones in the foreground and gradually working towards the smaller ones in the background.

  6. step 06

    Add details to the tree, including the branches and the birds.

  7. step 07

    Refine the details of the ice, adding shadows and reflections.

  8. step 08

    Add final touches and highlights to the entire painting.

color palette

primary · raw umber · titanium white · burnt sienna

secondary · Prussian blue · yellow ochre · ivory black

Achieve the muted tones by mixing white with small amounts of raw umber, burnt sienna, and a touch of blue. Use yellow ochre to create warmer highlights and ivory black to deepen shadows.

techniques

  • ·atmospheric perspective
  • ·scumbling
  • ·glazing
  • ·dry brushing
  • ·rendering figures

common pitfalls

  • →Overworking the details in the background, which can flatten the sense of depth.
  • →Using colors that are too bright or saturated, which can disrupt the overall harmony of the painting.
  • →Neglecting the subtle value changes that create a sense of atmosphere.
  • →Making the figures too uniform in size and shape.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·Prussian blue oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a canvas with a smooth texture to facilitate blending and glazing.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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