apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Winter Scene in Holland
Winter Scene in Holland by Johan Jongkind

plate no. 8116

Winter Scene in Holland

Johan Jongkind, 1865

oilRealismlandscapewinterlandscapewindmillsfiguresicesky
some experience helpful

Recreating this painting will help students develop skills in loose brushwork and creating atmospheric perspective. It's also a good exercise in simplifying complex scenes into basic shapes and values.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, placing the horizon line, windmills, and figures.

  2. step 02

    Block in the sky with light blues and whites, using loose, horizontal brushstrokes.

  3. step 03

    Establish the dark shapes of the windmills and trees.

  4. step 04

    Add the base color for the ice, a mix of grays and browns.

  5. step 05

    Begin adding highlights and shadows to the ice to create the illusion of texture and reflection.

  6. step 06

    Paint the figures with simple shapes, focusing on their silhouettes.

  7. step 07

    Add details to the windmills and trees, using dry brush techniques for texture.

  8. step 08

    Refine the sky and ice, blending colors and adding subtle variations.

color palette

primary · titanium white · ultramarine blue · burnt umber

secondary · yellow ochre · raw sienna · cadmium red light

Mix various shades of gray by combining white, blue, and umber. Use yellow ochre and raw sienna to create warm tones for the foreground and highlights on the ice. Add a touch of red to the figures for interest.

techniques

  • ·dry brush
  • ·scumbling
  • ·atmospheric perspective
  • ·broken color
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Making the colors too saturated and bright.
  • →Failing to establish a clear value structure.
  • →Not simplifying the figures enough, making them appear stiff.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·round brushes (various sizes)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium (e.g., Liquin)
  • ·easel

A slightly textured canvas will help to create the broken color effect. Use a limited palette to maintain color harmony.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy