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home·artworks·Winter Scene at Yselmuiden
Winter Scene at Yselmuiden by Hendrick Avercamp

plate no. 0018

Winter Scene at Yselmuiden

Hendrick Avercamp, 1613

oilBaroquelandscapewinterlandscapefiguresbuildingsiceboats
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering figures in a landscape. It also provides practice in creating a sense of depth and distance through color and detail.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the buildings, boat, and horizon line.

  2. step 02

    Establish the sky with a light, blended wash of pale blue and white.

  3. step 03

    Block in the larger shapes of the buildings and boat with diluted washes of earth tones.

  4. step 04

    Add the figures, starting with the larger ones in the foreground and gradually decreasing in size towards the background.

  5. step 05

    Develop the details of the buildings, including the snow-covered roofs and brickwork.

  6. step 06

    Refine the details of the boat and rigging.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Glaze with thin washes to unify the colors and create a sense of atmosphere.

color palette

primary · titanium white · raw umber · burnt sienna

secondary · ultramarine blue · yellow ochre · ivory black

Mix white with small amounts of raw umber and blue for the sky and snow. Use burnt sienna and raw umber for the buildings, adjusting the values with white and black. Create muted greens by mixing yellow ochre and blue.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·rendering figures
  • ·dry brushing
  • ·scumbling

common pitfalls

  • →Overworking the details in the background, which can flatten the sense of depth.
  • →Making the figures too uniform in size and shape.
  • →Using colors that are too saturated, which can detract from the muted atmosphere.
  • →Failing to establish a clear light source.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a fine-grained canvas to allow for smooth blending and detail work. Consider using a toned canvas to establish a base color.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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