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home·artworks·Winter Landscape with Horse Drawn Sleigh
Winter Landscape with Horse Drawn Sleigh by Jan van Goyen

plate no. 8663

Winter Landscape with Horse Drawn Sleigh

Jan van Goyen, 1645

oilBaroquelandscapelandscapefiguresiceskyhorsesleighwindmill
some experience helpful

Recreating this painting helps students understand atmospheric perspective and how to create a sense of depth using muted colors and simplified details in the distance. It also provides practice in painting figures in a landscape setting.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Prepare the canvas with a thin, warm-toned ground (e.g., raw umber wash).

  2. step 02

    Lightly sketch the main compositional elements: horizon line, landmasses, figures, horse and sleigh, and windmill.

  3. step 03

    Block in the sky with a gradient of warm pinks and grays, blending smoothly.

  4. step 04

    Establish the basic tones of the land and ice, using muted browns and grays.

  5. step 05

    Paint the distant figures and windmill with simplified shapes and lighter values to create atmospheric perspective.

  6. step 06

    Add details to the horse and sleigh, and the figures in the foreground, gradually increasing contrast.

  7. step 07

    Refine the reflections on the ice, paying attention to the distortion and color.

  8. step 08

    Add final details such as birds in the sky and subtle highlights on the figures.

color palette

primary · raw umber · burnt sienna · titanium white

secondary · payne's gray · yellow ochre

Achieve the muted tones by mixing the primary colors with small amounts of Payne's gray. Use white to lighten values and create atmospheric haze.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·limited palette
  • ·alla prima

common pitfalls

  • →Overworking the details in the background, which will flatten the perspective.
  • →Using colors that are too bright or saturated, which will disrupt the muted atmosphere.
  • →Neglecting the subtle value changes in the sky and ice, which will make the painting look flat.
  • →Making the figures too detailed or defined, which will draw attention away from the overall scene.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·payne's gray oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium (e.g., Liquin)
  • ·easel

A smooth canvas surface is recommended for easier blending. Consider using a pre-toned canvas to save time.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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