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home·artworks·Winter Landscape near a Village
Winter Landscape near a Village by Hendrick Avercamp

plate no. 8340

Winter Landscape near a Village

Hendrick Avercamp, 1615

oilBaroquelandscapewinterlandscapefiguresice skatingbuildingstrees
experienced study

Recreating this painting will help students develop skills in atmospheric perspective, figure painting in a landscape, and creating a sense of depth through layering and detail reduction.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the buildings, trees, and the horizon line.

  2. step 02

    Establish the sky and ice with thin washes of muted colors, creating a sense of atmospheric perspective.

  3. step 03

    Block in the main shapes of the buildings and trees, paying attention to their relative sizes and positions.

  4. step 04

    Begin adding details to the buildings, such as windows, doors, and roof textures.

  5. step 05

    Paint the bare tree branches, using a fine brush to capture their intricate patterns.

  6. step 06

    Add the figures on the ice, starting with the larger groups and gradually adding smaller details.

  7. step 07

    Refine the details of the foreground elements, such as the fence and the figures closest to the viewer.

  8. step 08

    Add final touches, such as the birds in the sky and subtle reflections on the ice.

color palette

primary · titanium white · raw umber · burnt sienna · ivory black

secondary · yellow ochre · cadmium red light · ultramarine blue

Achieve the muted tones by mixing white with small amounts of umber, sienna, and black. Use ultramarine blue and burnt sienna to create grays. Add small amounts of red and yellow to warm up the colors.

techniques

  • ·Glazing
  • ·Scumbling
  • ·Dry brushing
  • ·Atmospheric perspective
  • ·Figure painting

common pitfalls

  • →Overworking the details in the background, which can flatten the sense of depth.
  • →Using colors that are too bright or saturated, which can detract from the overall mood.
  • →Failing to establish a clear focal point, which can make the composition feel disorganized.
  • →Inaccurate proportions of the figures

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Oil paints (titanium white, raw umber, burnt sienna, ivory black, yellow ochre, cadmium red light, ultramarine blue)
  • ·Round brushes (sizes 0, 2, 4, 6)
  • ·Flat brushes (sizes 4, 8)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife

optional

  • ·Medium (e.g., Liquin)
  • ·Varnish

Use high-quality oil paints for best results. Consider using a toned canvas to create a more unified color palette.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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