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home·artworks·Winter Landscape
Winter Landscape by Isaac van Ostade

plate no. 5552

Winter Landscape

Isaac van Ostade, 1645

oilBaroquelandscapelandscapefiguresbuildingsskyicehorses
experienced study

Recreating this painting will help students develop skills in atmospheric perspective and rendering complex scenes with many figures. It also provides practice in creating a sense of depth and capturing the mood of a winter landscape.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the buildings, figures, and horizon line.

  2. step 02

    Establish the sky with broad washes of grey, blue, and white, blending the colors softly.

  3. step 03

    Block in the large shapes of the buildings and landscape with dark browns and ochres.

  4. step 04

    Add details to the buildings, including the roof, windows, and textures.

  5. step 05

    Paint the figures, paying attention to their proportions and poses.

  6. step 06

    Create the icy foreground with light washes of white and grey, adding reflections and shadows.

  7. step 07

    Add details to the horses and other animals.

  8. step 08

    Refine the overall painting, adjusting values and adding highlights to create depth and dimension.

color palette

primary · raw umber · titanium white · Prussian blue

secondary · yellow ochre · burnt sienna · ivory black

Mix various shades of grey by combining white, black, and a touch of blue or brown. Use ochre and sienna to create warm earth tones for the buildings and landscape. Add small amounts of blue to the browns to create cooler shadows.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·figure drawing

common pitfalls

  • →Overworking the details too early
  • →Failing to establish a strong value structure
  • →Ignoring atmospheric perspective and depth
  • →Getting figure proportions wrong

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·Prussian blue oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·ivory black oil paint
  • ·assorted brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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