apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Winter Landscape
Winter Landscape by Hendrick Avercamp

plate no. 3806

Winter Landscape

Hendrick Avercamp

oilBaroquelandscapewinterlandscapefigurestreesbuildingsice skating
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and atmosphere, as well as rendering fine details like bare branches and figures in a landscape.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to the placement of the tree, buildings, and horizon line.

  2. step 02

    Establish the sky with a thin wash of warm yellows and oranges, blending smoothly.

  3. step 03

    Block in the main shapes of the buildings and the large tree with diluted browns and grays.

  4. step 04

    Add the snow on the rooftops and ground, using white mixed with small amounts of blue or gray to create shadows.

  5. step 05

    Begin adding details to the tree branches, using a fine brush and varying shades of brown.

  6. step 06

    Paint the figures in the foreground and background, simplifying their forms and using small brushstrokes.

  7. step 07

    Add highlights and shadows to create depth and dimension in the buildings and figures.

  8. step 08

    Refine the details and adjust the values to create a cohesive and atmospheric winter scene.

color palette

primary · raw umber · titanium white · yellow ochre

secondary · Prussian blue · burnt sienna · ivory black

Achieve the muted tones by mixing browns, whites, and small amounts of blues and yellows. Use thin washes of color to build up layers and create depth.

techniques

  • ·layering
  • ·dry brushing
  • ·scumbling
  • ·glazing
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Using colors that are too saturated or bright.
  • →Failing to create a sense of depth and atmosphere.
  • →Ignoring the subtle variations in value and color.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·Prussian blue oil paint
  • ·round brushes (sizes 0, 2, 4)
  • ·flat brushes (sizes 6, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·retouch varnish

Use a medium-grain canvas for best results. Thin the oil paints with linseed oil for smoother application and blending.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne