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home·artworks·Winter Landscape
Winter Landscape by Efim Volkov

plate no. 9902

Winter Landscape

Efim Volkov

oilRealismlandscapetreessnowdogforestwinterlandscape
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and creating depth through layering. It also provides practice in rendering realistic textures of snow and tree bark.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees and the horizon line.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber and ultramarine blue.

  3. step 03

    Block in the sky with a gradient of yellow ochre and white, blending smoothly.

  4. step 04

    Paint the distant trees using darker values of brown and blue, softening the edges.

  5. step 05

    Add the foreground trees, paying attention to the details of the bark and branches.

  6. step 06

    Paint the snow, using a mix of white, yellow ochre, and a touch of blue to create shadows.

  7. step 07

    Add the dog as a dark silhouette, capturing its posture and form.

  8. step 08

    Refine the details, such as the twigs, snow texture, and subtle color variations.

color palette

primary · titanium white · burnt umber · ultramarine blue

secondary · yellow ochre · raw sienna

Mix white with small amounts of yellow ochre and blue to create the cool tones of the snow. Use burnt umber and ultramarine blue for the dark tones of the trees and shadows. Add yellow ochre to the sky to create a warm glow.

techniques

  • ·atmospheric perspective
  • ·layering
  • ·dry brushing
  • ·scumbling
  • ·glazing

common pitfalls

  • →Overworking the details in the background, losing the sense of depth.
  • →Making the snow too white and flat, without capturing the subtle color variations.
  • →Ignoring the atmospheric perspective, resulting in a lack of depth.
  • →Not varying the brushstrokes, resulting in a monotonous texture.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (titanium white, burnt umber, ultramarine blue, yellow ochre)
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Pre-toned canvas with a thin wash of burnt umber can help to establish the value structure.

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