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home·artworks·Winter Landscape at Arnhem
Winter Landscape at Arnhem by Salomon van Ruysdael

plate no. 9820

Winter Landscape at Arnhem

Salomon van Ruysdael

oilBaroquelandscapewinterlandscapefiguresbuildingsskyice
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering figures in a landscape setting. It also provides practice in creating a sense of depth and distance through color and value changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the buildings, figures, and horizon line.

  2. step 02

    Establish the sky with a light blue base and add subtle variations in tone for clouds.

  3. step 03

    Block in the large shapes of the buildings and landmass with muted browns and ochres.

  4. step 04

    Begin to define the figures, using small brushstrokes and varying values to create depth.

  5. step 05

    Add details to the buildings, such as windows, roofs, and architectural features.

  6. step 06

    Paint the frozen river, using a cool gray base and adding reflections of the sky and figures.

  7. step 07

    Refine the details of the figures, adding highlights and shadows to create form.

  8. step 08

    Add final touches, such as birds in the sky and subtle details in the foreground.

color palette

primary · titanium white · raw umber · ultramarine blue · yellow ochre

secondary · burnt sienna · ivory black

Mix muted browns and grays by combining raw umber, yellow ochre, and ultramarine blue with white. Use burnt sienna to add warmth to the browns and create variations in the buildings and figures.

techniques

  • ·atmospheric perspective
  • ·scumbling
  • ·glazing
  • ·dry brushing
  • ·rendering figures

common pitfalls

  • →Overworking the details in the background, which can flatten the sense of depth.
  • →Using colors that are too saturated, which can detract from the overall muted tone of the painting.
  • →Neglecting the subtle variations in value, which can make the painting appear flat and lifeless.
  • →Failing to establish a clear focal point, which can make the composition feel disorganized.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·ivory black oil paint
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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