apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Winter
Winter by Oleksandr Murashko

plate no. 7716

Winter

Oleksandr Murashko, 1905

oilRealismportraitfiguressnowwinterclothingportraitlandscape
some experience helpful

Recreating this painting will help students develop skills in portraiture, capturing realistic skin tones, and painting snow with subtle color variations. It also provides practice in rendering fabric and clothing details.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures.

  2. step 02

    Block in the main color areas: sky, snow, clothing, and skin tones.

  3. step 03

    Start refining the skin tones, paying attention to highlights and shadows.

  4. step 04

    Develop the details of the clothing, including the patterns and textures.

  5. step 05

    Work on the background, adding subtle color variations to the snow and sky.

  6. step 06

    Add details to the faces, focusing on the eyes, nose, and mouth.

  7. step 07

    Refine the overall composition, adjusting values and colors as needed.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · titanium white · yellow ochre · burnt umber · cadmium red

secondary · ultramarine blue · ivory black · alizarin crimson

Mix various shades of white with yellow ochre and burnt umber for the snow and clothing. Use cadmium red and alizarin crimson for the red accents. Mix ultramarine blue with white for the sky and shadows in the snow.

techniques

  • ·portrait painting
  • ·color mixing
  • ·glazing
  • ·scumbling
  • ·rendering fabric

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Ignoring the subtle color variations in the snow.
  • →Getting the proportions of the figures wrong.
  • →Not paying enough attention to the details of the clothing.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·cadmium red oil paint
  • ·ultramarine blue oil paint
  • ·ivory black oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy