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home·artworks·Winter
Winter by Hans Andersen Brendekilde

plate no. 8053

Winter

Hans Andersen Brendekilde

oilRealismlandscapesnowlandscapefiguresbuildingsskywinter
some experience helpful

Recreating this painting will help students understand how to depict light and shadow on snow and how to create atmospheric perspective. It also provides practice in rendering figures in a landscape setting.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to the placement of the horizon line and the main elements (buildings, figures, path).

  2. step 02

    Establish the sky color with a thin wash of blue, blending it slightly towards the horizon.

  3. step 03

    Block in the large areas of snow, using a mix of white and blue for the shadows and warmer whites for the sunlit areas.

  4. step 04

    Add the buildings, focusing on their shapes and the shadows cast by the snow on their roofs.

  5. step 05

    Paint the figures, paying attention to their proportions and the folds in their clothing.

  6. step 06

    Add details to the foreground, such as the footprints in the snow and the dried vegetation.

  7. step 07

    Refine the shadows and highlights throughout the painting, creating a sense of depth and atmosphere.

  8. step 08

    Add final details, such as the birds in the sky and any small highlights on the snow.

color palette

primary · titanium white · ultramarine blue · burnt umber

secondary · yellow ochre · raw sienna · ivory black

Mix white with small amounts of blue to create the cool tones of the snow shadows. Use burnt umber and yellow ochre to create the warm tones of the buildings and vegetation. Add black to umber for the dark figures.

techniques

  • ·color mixing
  • ·atmospheric perspective
  • ·layering
  • ·scumbling
  • ·shadow mapping

common pitfalls

  • →Making the snow too white and not capturing the subtle variations in color.
  • →Ignoring the atmospheric perspective and not creating a sense of depth.
  • →Overworking the details and losing the overall impression of the scene.
  • →Not paying attention to the direction of the light and the shadows it casts.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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