apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Willy
Willy by Giovanni Boldini

plate no. 9594

Willy

Giovanni Boldini, 1905

oil, canvasRealismportraitportraitmanclothinghatfacial haircane
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones and textures, as well as understanding light and shadow to create depth and form.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the figure, paying attention to proportions and pose.

  2. step 02

    Block in the main areas of color: background, clothing, skin tones.

  3. step 03

    Begin refining the facial features, focusing on accurate placement and values.

  4. step 04

    Develop the details of the clothing, including folds and highlights.

  5. step 05

    Add details to the hands, cane, and other accessories.

  6. step 06

    Refine the background, adding subtle variations in color and texture.

  7. step 07

    Add final highlights and shadows to enhance the sense of depth.

  8. step 08

    Glaze with thin layers to unify the colors and create a sense of atmosphere.

color palette

primary · ivory black · burnt umber · raw sienna · titanium white

secondary · cadmium red light · ultramarine blue

Mix skin tones using white, raw sienna, burnt umber, and a touch of red. Darken colors with burnt umber and black. Use ultramarine blue to cool down shadows.

techniques

  • ·Underpainting
  • ·Glazing
  • ·Scumbling
  • ·Chiaroscuro
  • ·Portraiture

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the details too early in the process.
  • →Creating muddy colors by overmixing.
  • →Failing to capture the likeness of the subject.

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Oil paints (ivory black, burnt umber, raw sienna, titanium white, cadmium red light, ultramarine blue)
  • ·Palette
  • ·Assorted brushes (round, flat, filbert)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·Medium (e.g., Liquin)
  • ·Varnish

Use high-quality oil paints for best results. A medium can be added to the paint to improve flow and drying time.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy