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home·artworks·William, Lord Maxwell
William, Lord Maxwell by John Riley

plate no. 6304

William, Lord Maxwell

John Riley

oilBaroqueportraitportraitfigurerobecrownbookscolumn
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions and rendering of fabric textures. It also provides practice in creating subtle value shifts to model form.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch outlining the basic shapes and proportions of the figure and objects.

  2. step 02

    Block in the background with thin washes of color, establishing the overall tone.

  3. step 03

    Begin painting the face, focusing on accurate placement of features and subtle value changes.

  4. step 04

    Block in the main areas of color for the robe, cloak, and other elements.

  5. step 05

    Develop the folds and textures of the fabrics, using layering and blending techniques.

  6. step 06

    Add details to the face, hair, and clothing, refining the forms and adding highlights.

  7. step 07

    Paint the crown and other objects, paying attention to their form and texture.

  8. step 08

    Make final adjustments to the values and colors to create a cohesive and realistic image.

color palette

primary · crimson red · ivory black · titanium white · raw umber

secondary · gold ochre · cadmium yellow light · ultramarine blue

Mix various shades of red by combining crimson with ivory black and titanium white. Achieve skin tones by mixing titanium white, raw umber, and a touch of crimson red. Use ultramarine blue and ivory black to create darker shades for the background and shadows.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·fabric rendering

common pitfalls

  • →Inaccurate proportions in the initial sketch.
  • →Overblending, resulting in a flat, lifeless appearance.
  • →Ignoring subtle value changes, leading to a lack of form.
  • →Getting lost in details before establishing the overall composition.

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Oil paints (crimson red, ivory black, titanium white, raw umber, gold ochre, cadmium yellow light, ultramarine blue)
  • ·Round brushes (sizes 2, 4, 6)
  • ·Flat brushes (sizes 4, 8)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a medium to thin the paint and improve flow.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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