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home·artworks·William H. Taft
William H. Taft by Anders Zorn

plate no. 5796

William H. Taft

Anders Zorn, 1911

lithography, paperRealismportraitportraitfiguremanchairsuitinterior
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and rendering realistic skin tones. It will also improve their understanding of light and shadow in creating form.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the basic shapes and proportions of the figure and chair.

  2. step 02

    Block in the main areas of color, starting with the background and then the larger areas of the suit and skin.

  3. step 03

    Focus on establishing the correct values and color temperatures in the skin tones, paying attention to highlights and shadows.

  4. step 04

    Develop the details of the face, including the eyes, nose, and mouth, focusing on capturing the likeness of the subject.

  5. step 05

    Refine the details of the suit and chair, adding highlights and shadows to create depth and dimension.

  6. step 06

    Add the background details and adjust the overall composition as needed.

  7. step 07

    Glaze thin layers of color to unify the painting and create subtle transitions.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · ivory black · burnt umber · raw sienna · titanium white

secondary · ultramarine blue · yellow ochre · cadmium red light

Mix skin tones using white, burnt umber, raw sienna, and a touch of red. Use ultramarine blue and ivory black for the suit, adding white for highlights. Create the background with ultramarine blue, ivory black, and yellow ochre.

techniques

  • ·portraiture
  • ·value studies
  • ·color mixing
  • ·blending
  • ·glazing

common pitfalls

  • →Incorrect proportions in the initial sketch.
  • →Overworking the skin tones and losing the freshness of the brushstrokes.
  • →Failing to capture the likeness of the subject.
  • →Creating muddy or dull colors by overmixing.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·assorted brushes (round and flat)
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A medium-tooth canvas will provide a good surface for the painting.

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