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home·artworks·White Roses in a Vase
White Roses in a Vase by Henri Fantin-Latour

plate no. 6590

White Roses in a Vase

Henri Fantin-Latour, 1885

oil, canvasRealismflower paintingflowersrosesvasetablestill life
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve subtle variations in white and green, as well as understanding how to depict form through light and shadow. It also provides practice in capturing the delicate texture of flower petals.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the vase, table, and flower arrangement.

  2. step 02

    Block in the background with a mid-tone gray.

  3. step 03

    Establish the dark values of the vase and the shadows on the table.

  4. step 04

    Begin layering in the whites and creams of the roses, paying attention to the light source.

  5. step 05

    Add the greens of the leaves, mixing different shades to create depth.

  6. step 06

    Refine the shapes and details of the flowers, focusing on the petal structure.

  7. step 07

    Add highlights to the roses and vase to create a sense of realism.

  8. step 08

    Make final adjustments to the values and colors to achieve a harmonious composition.

color palette

primary · titanium white · ivory black · yellow ochre

secondary · viridian green · raw umber · burnt sienna

Achieve the subtle whites by mixing titanium white with small amounts of yellow ochre and ivory black. Create the greens by mixing viridian green with yellow ochre and a touch of burnt sienna to mute the color.

techniques

  • ·scumbling
  • ·glazing
  • ·dry brushing
  • ·color mixing
  • ·layering

common pitfalls

  • →Overworking the details of the flowers too early.
  • →Using pure white without mixing in other colors.
  • →Failing to establish a strong value structure.
  • →Ignoring the subtle color variations in the background.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·viridian green oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use high-quality oil paints for best results. A canvas with a smooth texture will allow for easier blending.

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