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home·artworks·White Roses and Cherries
White Roses and Cherries by Henri Fantin-Latour

plate no. 4156

White Roses and Cherries

Henri Fantin-Latour, 1865

oil, canvasRealismstill lifeflowersrosescherriesvasetablestill life
some experience helpful

Recreating this painting will help students develop skills in observing subtle color variations and creating realistic textures through layering and blending. It's a good exercise in capturing the form and light on different surfaces.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the vase, flowers, cup, cherries, and table, focusing on proportions and placement.

  2. step 02

    Establish the background color with a thin wash of muted green/brown tones.

  3. step 03

    Block in the main color masses for the flowers, leaves, cherries, and cup, using simplified shapes and values.

  4. step 04

    Begin layering and blending colors to create the form and volume of the objects, paying attention to highlights and shadows.

  5. step 05

    Add details to the flowers, such as the individual petals and the subtle color variations within them.

  6. step 06

    Refine the details of the cup, capturing the metallic sheen and reflections.

  7. step 07

    Add the details of the cherries, including the stems and highlights.

  8. step 08

    Make final adjustments to the values and colors to create a cohesive and realistic painting.

color palette

primary · titanium white · sap green · burnt umber · cadmium red

secondary · ultramarine blue · yellow ochre · ivory black

Mix white with small amounts of yellow ochre and burnt umber for the off-white roses. Use sap green with touches of burnt umber and ultramarine blue for the leaves. Mix cadmium red with a touch of burnt umber for the cherries.

techniques

  • ·layering
  • ·blending
  • ·scumbling
  • ·glazing
  • ·observational drawing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to capture the subtle color variations within the objects.
  • →Creating harsh lines instead of soft transitions.
  • →Not paying attention to the light source and its effect on the objects.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints (titanium white, sap green, burnt umber, cadmium red, ultramarine blue, yellow ochre, ivory black)
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a high-quality canvas and artist-grade oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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related guides

oil painting for beginners →how to learn by studying the masters →
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