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home·artworks·Whitchurch Hill, Oxfordshire
Whitchurch Hill, Oxfordshire by William Sidney Cooper

plate no. 8706

Whitchurch Hill, Oxfordshire

William Sidney Cooper, 1884

oilRealismlandscapelandscapesheepfieldhillsskytrees
some experience helpful

Recreating this painting will help students practice atmospheric perspective and learn how to depict soft, diffused light. Students will also develop skills in rendering textures of grass and wool.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition: horizon line, hills, and placement of sheep.

  2. step 02

    Establish the sky with blended yellows, oranges, and grays, creating a soft gradient.

  3. step 03

    Block in the distant hills with muted greens and blues, using darker values for depth.

  4. step 04

    Lay in the base color for the field with a mix of greens, yellows, and browns.

  5. step 05

    Add details to the grass with varied strokes and colors, creating texture and depth.

  6. step 06

    Paint the sheep with off-whites and grays, using short strokes to suggest wool.

  7. step 07

    Add shadows and highlights to the sheep to give them form and dimension.

  8. step 08

    Refine details and adjust values to create a sense of atmosphere and realism.

color palette

primary · yellow ochre · raw umber · titanium white · sap green

secondary · burnt sienna · ultramarine blue · cadmium yellow light

Mix greens by combining yellow ochre, sap green, and ultramarine blue. Achieve soft, muted tones by adding raw umber or burnt sienna to your colors.

techniques

  • ·atmospheric perspective
  • ·scumbling
  • ·dry brushing
  • ·color blending
  • ·layering

common pitfalls

  • →Overworking the details and losing the overall atmospheric effect.
  • →Making the colors too saturated and not achieving the muted tones.
  • →Failing to create depth in the field and hills.
  • →Not varying the brushstrokes enough to create texture.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (yellow ochre, raw umber, titanium white, sap green, burnt sienna, ultramarine blue)
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·palette
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·painting rags

Use a medium-tooth canvas for best results. Pre-tinting the canvas with a thin wash of raw umber can help create a warm undertone.

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related guides

oil painting for beginners →how to learn by studying the masters →
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