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home·artworks·While Reading the Newspaper News
While Reading the Newspaper News by Hans Andersen Brendekilde

plate no. 2161

While Reading the Newspaper News

Hans Andersen Brendekilde, 1912

oilRealismgenre paintingfiguresbuildinggardennewspaperflowerslandscape
some experience helpful

Recreating this painting will help students develop skills in rendering realistic figures, capturing subtle light and shadow, and creating depth through atmospheric perspective. It also offers practice in painting textures like foliage, wood, and fabric.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the main architectural elements.

  2. step 02

    Establish the overall color scheme by blocking in the large areas of color, such as the sky, building, and foliage.

  3. step 03

    Begin to refine the details of the figures, paying attention to their proportions and anatomy.

  4. step 04

    Develop the textures of the building, including the thatched roof and the weathered walls.

  5. step 05

    Add details to the foliage, using a variety of greens and yellows to create depth and interest.

  6. step 06

    Paint the newspaper, focusing on capturing the subtle variations in tone and texture.

  7. step 07

    Refine the light and shadow, adding highlights and shadows to create a sense of depth and dimension.

  8. step 08

    Add final details, such as the flowers, the cat, and the small details on the figures' clothing.

color palette

primary · raw umber · yellow ochre · titanium white · Prussian blue

secondary · cadmium red · sap green · burnt sienna

Achieve the muted tones by mixing complementary colors. Use white to lighten values and create subtle gradations.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a clear focal point.
  • →Ignoring the importance of value contrast.
  • →Using colors that are too saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (raw umber, yellow ochre, titanium white, Prussian blue, cadmium red, sap green, burnt sienna)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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