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home·artworks·Where There are People Money May Be Made
Where There are People Money May Be Made by Adriaen van de Venne

plate no. 8639

Where There are People Money May Be Made

Adriaen van de Venne, 1652

oil, panelBaroquegenre paintingfiguresmarketdogsbuildingsskycrowd
experienced study

This painting is a good study in creating depth using atmospheric perspective and rendering figures in a monochromatic palette. Recreating it will help students practice value control and brushwork economy.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main shapes and figures, paying attention to proportions and placement.

  2. step 02

    Establish the overall warm, earthy tone of the painting with a thin wash of burnt umber or similar color.

  3. step 03

    Block in the sky and background, gradually lightening the values towards the horizon to create atmospheric perspective.

  4. step 04

    Start defining the figures, beginning with the larger shapes and gradually adding details.

  5. step 05

    Focus on capturing the gestures and expressions of the figures with simple brushstrokes.

  6. step 06

    Add the details of the buildings and other elements in the background, keeping them soft and indistinct.

  7. step 07

    Refine the highlights and shadows to create form and depth.

  8. step 08

    Add final details, such as the dogs, clothing folds, and textures.

color palette

primary · burnt umber · raw sienna · ivory black

secondary · yellow ochre · titanium white

Achieve the various shades by mixing burnt umber with white for lighter tones, and adding small amounts of black for darker tones. Use yellow ochre to add warmth to highlights.

techniques

  • ·grisaille underpainting
  • ·atmospheric perspective
  • ·scumbling
  • ·dry brushing
  • ·limited palette

common pitfalls

  • →Overworking the details and losing the overall tonal harmony.
  • →Creating too much contrast in the background, which will flatten the image.
  • →Making the figures too detailed, which will distract from the overall scene.
  • →Failing to establish a clear focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·painting medium
  • ·easel

A toned canvas with a thin wash of burnt umber can be helpful to start with.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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