apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Where are you looking at?
Where are you looking at? by Jose Higuera

plate no. 1335

Where are you looking at?

Jose Higuera, 2013

oil, canvasRealismgenre paintingfigurechildcatflowerspillowfabric
some experience helpful

Recreating this painting will help students develop skills in portraiture, capturing light and shadow on skin tones, and rendering realistic textures of fabric and fur.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition, paying attention to proportions.

  2. step 02

    Establish the background with broad strokes of blended browns and ochres.

  3. step 03

    Block in the main areas of color for the figure, cat, and objects.

  4. step 04

    Develop the skin tones using layers of thin glazes, focusing on highlights and shadows.

  5. step 05

    Add details to the cat's fur, using small brushstrokes and varying values.

  6. step 06

    Refine the fabric folds and textures, paying attention to how light interacts with the material.

  7. step 07

    Paint the flowers and leaves, capturing their vibrant colors and delicate forms.

  8. step 08

    Add final highlights and shadows to enhance the overall realism.

color palette

primary · titanium white · burnt umber · yellow ochre · cadmium red

secondary · ultramarine blue · sap green

Mix skin tones using white, yellow ochre, burnt umber, and a touch of red. Achieve the background browns by blending burnt umber, yellow ochre, and white. Use ultramarine blue and white for the shirt.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro
  • ·rendering fur

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Neglecting the importance of accurate proportions in the initial sketch.
  • →Failing to capture the subtle variations in skin tones.
  • →Getting lost in details before establishing the overall values and composition.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (titanium white, burnt umber, yellow ochre, cadmium red, ultramarine blue, sap green)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags or paper towels

optional

  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy