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home·artworks·Weekday in Paris
Weekday in Paris by Adolph Menzel

plate no. 4887

Weekday in Paris

Adolph Menzel, 1869

oilRealismgenre paintingcityscapebuildingspeoplestreethorseclouds
experienced study

Recreating this painting will help students develop skills in depicting atmospheric perspective and rendering complex scenes with many figures. It also provides practice in capturing the nuances of light and shadow in an urban environment.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the basic composition and perspective of the buildings and street.

  2. step 02

    Block in the main shapes and values of the buildings, sky, and ground using thin washes of color.

  3. step 03

    Establish the light source and begin to build up the shadows and highlights on the buildings and figures.

  4. step 04

    Start adding details to the buildings, such as windows, architectural features, and signage.

  5. step 05

    Begin to add the figures in the foreground, paying attention to their proportions and gestures.

  6. step 06

    Refine the details of the figures, adding clothing, faces, and other features.

  7. step 07

    Add final details such as street signs, lamps, and foliage.

  8. step 08

    Adjust the overall values and colors to create a sense of depth and atmosphere.

color palette

primary · raw umber · burnt sienna · ivory black · titanium white

secondary · yellow ochre · ultramarine blue · cadmium red light · sap green

Achieve the muted tones by mixing earth tones with white and small amounts of blue or red. Use thin washes of color to build up the values gradually.

techniques

  • ·atmospheric perspective
  • ·broken color
  • ·scumbling
  • ·dry brushing
  • ·alla prima

common pitfalls

  • →Getting lost in the details too early without establishing the overall composition and values.
  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Failing to create a sense of depth and atmosphere.
  • →Inaccurate proportions of the figures.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·round brushes sizes 2, 4, 6
  • ·flat brushes sizes 4, 8
  • ·linseed oil

optional

  • ·palette knife
  • ·odorless mineral spirits
  • ·retouch varnish

Use a medium-tooth canvas to allow for good paint adhesion and texture. Consider using a toned canvas to simplify the initial blocking-in process.

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