apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Wedding In Momchilovtsi
Wedding In Momchilovtsi by Ivan Mrkviсka

plate no. 1311

Wedding In Momchilovtsi

Ivan Mrkviсka, 1885

oilRealismgenre paintingfiguresweddinginteriorarchitectureceremonychildren
experienced study

Recreating this painting will help students develop skills in depicting figures in a crowd and understanding how to create depth through atmospheric perspective and subtle value changes. It also provides practice in rendering textures of clothing and architectural details.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main figures and architectural elements, paying attention to proportions and placement.

  2. step 02

    Establish the overall value structure by blocking in the dark and light areas with thin washes of color.

  3. step 03

    Start painting the background and architectural details, focusing on creating a sense of depth and atmosphere.

  4. step 04

    Develop the figures, working from the back to the front, gradually adding details and refining their forms.

  5. step 05

    Pay close attention to the lighting and shadows on the figures, using subtle value changes to create volume and dimension.

  6. step 06

    Render the textures of the clothing and other objects, using a variety of brushstrokes and techniques.

  7. step 07

    Add the final details, such as the faces, hands, and decorative elements.

  8. step 08

    Step back and assess the painting, making any necessary adjustments to the composition, color, or value.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · cadmium red · yellow ochre · ivory black

Achieve the muted tones by mixing earth tones with white and small amounts of black or red. Use thin glazes to build up color and create subtle variations.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective
  • ·figure drawing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the importance of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·retouch varnish
  • ·medium gloss

Use a medium-tooth canvas for best results. Consider toning the canvas with a thin wash of burnt umber before starting.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy