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home·artworks·Watercourse in the woods
Watercourse in the woods by Constant Troyon

plate no. 8339

Watercourse in the woods

Constant Troyon, 1860

oil, canvasRealismlandscapetreeswaterforestlandscapefoliagestream
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and atmosphere, as well as using brushstrokes to suggest texture and form in foliage and water. It also provides practice in depicting light filtering through trees.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees and the watercourse.

  2. step 02

    Establish the dark underpainting using burnt umber or a similar dark brown.

  3. step 03

    Begin layering in the darker greens and browns for the foliage, using short, broken brushstrokes.

  4. step 04

    Add highlights to the leaves and tree trunks using lighter greens, yellows, and browns.

  5. step 05

    Paint the water, reflecting the colors of the surrounding trees and sky.

  6. step 06

    Use horizontal brushstrokes to create the illusion of movement in the water.

  7. step 07

    Add details such as small branches, twigs, and reflections.

  8. step 08

    Refine the values and colors to create a sense of depth and atmosphere.

color palette

primary · burnt umber · sap green · yellow ochre · titanium white

secondary · ultramarine blue · cadmium yellow light · raw sienna

Mix greens by combining yellow ochre, sap green, and ultramarine blue. Use burnt umber and white for the tree trunks, adding touches of yellow ochre and raw sienna for highlights. Achieve the water's reflections by mixing the colors of the surrounding foliage with white and a touch of blue.

techniques

  • ·layering
  • ·dry brushing
  • ·broken brushstrokes
  • ·scumbling
  • ·glazing

common pitfalls

  • →Overworking the details and losing the overall sense of atmosphere.
  • →Using too much green without variations in value and hue.
  • →Failing to create a convincing sense of depth.
  • →Making the water appear flat and lifeless.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (burnt umber, sap green, yellow ochre, titanium white, ultramarine blue)
  • ·round brushes (#2, #4, #6)
  • ·flat brush (#8)
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a good quality canvas primed with gesso. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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