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home·artworks·Water Lilies, Study for the Youth and a Mermaid
Water Lilies, Study for the Youth and a Mermaid by Albert Edelfelt

plate no. 4369

Water Lilies, Study for the Youth and a Mermaid

Albert Edelfelt

oilRealismsketch and studywater liliespondlily padswatervegetation
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and capturing the subtle reflections in water. It's also a good exercise in painting organic shapes and textures.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the lily pads and flowers, paying attention to their placement and size.

  2. step 02

    Block in the dark background of the water using a mix of blues, browns, and greens.

  3. step 03

    Add the base colors for the lily pads, varying the greens and browns to create visual interest.

  4. step 04

    Begin layering lighter greens and yellows on the lily pads to create highlights and dimension.

  5. step 05

    Paint the white water lilies, starting with a base of off-white and adding highlights and shadows to define the petals.

  6. step 06

    Add reflections in the water, using slightly lighter and more muted versions of the colors above.

  7. step 07

    Refine the details of the lily pads and flowers, adding texture and definition with small brushstrokes.

  8. step 08

    Add final highlights and shadows to enhance the overall depth and realism of the painting.

color palette

primary · Prussian Blue · Yellow Ochre · Titanium White · Burnt Umber

secondary · Cadmium Yellow · Viridian Green · Alizarin Crimson

Mix the dark water by combining Prussian Blue, Burnt Umber, and a touch of Alizarin Crimson. Use Yellow Ochre and Cadmium Yellow to create the various greens for the lily pads. Mix Titanium White with small amounts of other colors to create the subtle shades of white in the water lilies.

techniques

  • ·Impasto
  • ·Scumbling
  • ·Wet-on-wet blending
  • ·Broken color

common pitfalls

  • →Overworking the details and losing the loose, painterly feel.
  • →Making the colors too saturated and not capturing the muted tones of the water.
  • →Not paying attention to the reflections in the water, which are crucial for creating depth.
  • →Failing to vary the greens and browns of the lily pads, resulting in a flat and uninteresting composition.

materials

surface · stretched canvas

required

  • ·Stretched canvas (12x16 inches)
  • ·Oil paints (Prussian Blue, Yellow Ochre, Titanium White, Burnt Umber, Cadmium Yellow, Viridian Green, Alizarin Crimson)
  • ·Assorted brushes (round and flat, sizes 2-8)
  • ·Palette
  • ·Palette knife
  • ·Linseed oil or other painting medium
  • ·Odorless mineral spirits or turpentine
  • ·Rags or paper towels

optional

  • ·Retouch varnish
  • ·Easel
  • ·Apron

A toned canvas (e.g., with a thin wash of burnt umber) can be helpful for establishing the dark background.

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related guides

oil painting for beginners →how to learn by studying the masters →
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