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Water Lilies by Abbott Handerson Thayer

plate no. 4926

Water Lilies

Abbott Handerson Thayer

oilRealismflower paintingflowerswater liliesstill lifefloral arrangementdark background
some experience helpful

Recreating this painting will help students develop skills in layering paint, creating soft edges, and understanding how to depict form with subtle value changes. It also provides practice in capturing the delicate nature of floral subjects.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and placement of the water lilies and the vase lightly on the canvas.

  2. step 02

    Establish the dark background using a mix of browns and blacks, varying the tones slightly.

  3. step 03

    Block in the general shapes of the lilies with a light, off-white color, paying attention to the overall composition.

  4. step 04

    Begin to define the petals of the lilies, adding subtle shadows and highlights to create form.

  5. step 05

    Mix a pale yellow for the centers of the lilies and apply it with small, delicate brushstrokes.

  6. step 06

    Refine the edges of the petals, softening some and sharpening others to create depth and realism.

  7. step 07

    Add subtle reflections and details to the vase and the surrounding water.

  8. step 08

    Make final adjustments to the values and colors to achieve a harmonious and realistic effect.

color palette

primary · titanium white · burnt umber · ivory black

secondary · yellow ochre · raw sienna

Achieve the off-white color by mixing titanium white with small amounts of burnt umber and yellow ochre. Create darker tones by adding ivory black to the brown mixtures.

techniques

  • ·layering
  • ·soft blending
  • ·scumbling
  • ·dry brushing
  • ·value control

common pitfalls

  • →Overworking the details and losing the overall softness of the painting.
  • →Making the lilies too bright and contrasting against the dark background.
  • →Not paying attention to the subtle value changes in the petals.
  • →Creating harsh edges instead of soft, blended transitions.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a canvas with a smooth surface for easier blending. Consider using a medium to improve the flow of the paint.

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