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home·artworks·Washerwomen on the Riverbank
Washerwomen on the Riverbank by Charles-Francois Daubigny

plate no. 0097

Washerwomen on the Riverbank

Charles-Francois Daubigny

oil, panelRealismlandscaperiverlandscapefigurescowstreessky
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and loose, expressive brushwork to capture the mood of a landscape. It also provides practice in simplifying complex scenes into basic shapes and values.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and major landforms.

  2. step 02

    Block in the sky with a light grey-blue, establishing the overall value.

  3. step 03

    Establish the dark masses of the trees and foliage using a dark green mixture.

  4. step 04

    Paint the river with horizontal strokes, varying the value to suggest depth and reflections.

  5. step 05

    Add the figures and cows, simplifying their forms and focusing on their placement within the scene.

  6. step 06

    Develop the details in the foreground, adding texture to the grass and foliage with broken brushstrokes.

  7. step 07

    Refine the sky with subtle variations in color and value to create a sense of atmosphere.

  8. step 08

    Add final highlights and shadows to enhance the form and create depth.

color palette

primary · Prussian blue · Yellow ochre · Titanium white

secondary · Burnt umber · Cadmium yellow light

Mix greens by combining Prussian blue and yellow ochre. Use white to lighten values and create atmospheric perspective. Burnt umber is used for shadows and grounding the colors.

techniques

  • ·Broken color
  • ·Scumbling
  • ·Atmospheric perspective
  • ·Dry brushing
  • ·Wet-on-dry blending

common pitfalls

  • →Overworking the details and losing the loose, expressive quality.
  • →Failing to establish a clear value structure, resulting in a flat painting.
  • →Using colors that are too saturated, making the painting look unnatural.
  • →Neglecting atmospheric perspective, causing the background to appear too sharp.

materials

surface · Stretched canvas

required

  • ·Stretched canvas 12x16
  • ·Oil paints (Prussian blue, Yellow ochre, Titanium white, Burnt umber, Cadmium yellow light)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits
  • ·Linseed oil
  • ·Assorted brushes (round and flat)
  • ·Rags

optional

  • ·Medium gloss
  • ·Retouch varnish
  • ·Easel

Use a medium-tooth canvas to allow for texture. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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