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home·artworks·Warming Her Hands
Warming Her Hands by Eastman Johnson

plate no. 3649

Warming Her Hands

Eastman Johnson, 1862

oilRealismgenre paintingfigureinteriorstoveclothingtablebasket
some experience helpful

Recreating this painting will help students develop skills in depicting light and shadow in an interior scene, as well as creating a sense of depth and atmosphere through layering and glazing.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to the placement of the figure, stove, and other objects.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Block in the main colors of the figure, stove, and background, focusing on accurate color relationships.

  4. step 04

    Begin layering and blending colors to create smooth transitions and subtle variations in tone.

  5. step 05

    Pay close attention to the light source and how it affects the highlights and shadows on the objects.

  6. step 06

    Add details to the figure's face and clothing, as well as the stove and other objects.

  7. step 07

    Glaze thin layers of color to create depth and atmosphere.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · burnt umber · raw sienna · ivory black · cadmium red

secondary · yellow ochre · titanium white

Achieve the warm, muted tones by mixing earth tones with small amounts of red, yellow, and white. Use glazes of thinned paint to create depth and luminosity.

techniques

  • ·underpainting
  • ·layering
  • ·glazing
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Overworking the painting and losing the freshness of the initial layers.
  • →Failing to establish a strong value structure.
  • →Ignoring the subtle color variations in the shadows and highlights.
  • →Getting bogged down in details too early in the process.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·assorted brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a limited palette of earth tones to capture the muted colors of the painting.

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oil painting for beginners →how to learn by studying the masters →
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