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home·artworks·Walfänger im Eismeer
Walfänger im Eismeer by Abraham Storck

plate no. 3130

Walfänger im Eismeer

Abraham Storck

oilBaroquemarinashipsicewaterwhalefiguressky
some experience helpful

Recreating this painting will help students develop skills in rendering atmospheric perspective and creating believable textures for water, ice, and ship details. It also provides practice in depicting complex forms and managing a detailed composition.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the ships, icebergs, and whale.

  2. step 02

    Establish the sky and water with broad, blended strokes, paying attention to the subtle color variations.

  3. step 03

    Block in the major shapes of the icebergs, using a limited palette of whites, grays, and blues.

  4. step 04

    Begin to define the ships, starting with the largest one and working your way back, gradually adding details.

  5. step 05

    Paint the whale and other animals, focusing on their form and texture.

  6. step 06

    Add the figures in the boat and on the ships, keeping them small and relatively simple.

  7. step 07

    Refine the details of the ships, icebergs, and water, adding highlights and shadows to create depth.

  8. step 08

    Add final touches, such as the flags, rigging, and reflections in the water.

color palette

primary · titanium white · ultramarine blue · burnt umber · yellow ochre

secondary · cadmium red · ivory black · raw sienna

Achieve the muted tones by mixing complementary colors and using white to create subtle variations. Use thin glazes of color to build up depth and luminosity.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·rendering details
  • ·dry brushing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a clear sense of depth and perspective.
  • →Using colors that are too saturated or bright.
  • →Losing the overall unity of the painting by focusing too much on individual elements.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·damar varnish
  • ·medium gloss

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for layering and blending.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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