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home·artworks·Vue D'un Port Méridional
Vue D'un Port Méridional by Abraham Storck

plate no. 8861

Vue D'un Port Méridional

Abraham Storck

oilBaroquemarinaharborboatsfigureslighthousearchitecturesky
experienced study

Recreating this painting will help students develop skills in atmospheric perspective and rendering complex scenes with many figures and objects. It also provides practice in creating a sense of depth and light.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the lighthouse, boats, and major landforms.

  2. step 02

    Establish the sky and water with broad washes of color, paying attention to the light source and atmospheric perspective.

  3. step 03

    Block in the major shapes of the lighthouse, buildings, and boats with simplified colors and values.

  4. step 04

    Begin adding details to the lighthouse and buildings, including windows, doors, and architectural features.

  5. step 05

    Develop the boats and figures, paying attention to their proportions and placement within the scene.

  6. step 06

    Refine the details of the foreground elements, such as the barrels, animals and luggage.

  7. step 07

    Add highlights and shadows to create depth and dimension throughout the painting.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the atmospheric effects.

color palette

primary · yellow ochre · burnt umber · titanium white · ultramarine blue

secondary · raw sienna · cadmium red light · ivory black

Achieve the warm, luminous tones by mixing yellow ochre and white with small amounts of burnt umber and red. Use ultramarine blue and white to create the cool tones of the sky and water. Mix black and umber for shadows.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·rendering figures
  • ·layering

common pitfalls

  • →Getting lost in the details too early without establishing the overall composition and values.
  • →Failing to create a convincing sense of depth and atmosphere.
  • →Overworking the painting and losing the freshness of the initial washes.
  • →Inaccurate proportions of the figures and boats.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·turpentine
  • ·linseed oil
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A medium such as linseed oil can help with blending and glazing.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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