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home·artworks·Votorantim Waterfall
Votorantim Waterfall by Jose Ferraz de Almeida Junior

plate no. 4328

Votorantim Waterfall

Jose Ferraz de Almeida Junior, 1893

oilRealismlandscapewaterfalltreesrockswaterfoliagesky
experienced study

Recreating this painting will help students develop skills in rendering water movement and creating depth through atmospheric perspective. It also provides practice in capturing the textures of rocks and foliage with varied brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the waterfall, rocks, and trees.

  2. step 02

    Establish the sky and distant background with light blues and greens, using soft blending.

  3. step 03

    Block in the dark areas of the trees and rocks with mixtures of browns, greens, and blacks.

  4. step 04

    Begin to define the waterfall with broad strokes of white and light gray, paying attention to the direction of the water flow.

  5. step 05

    Add details to the rocks and trees, using smaller brushes to create texture and variation.

  6. step 06

    Develop the foreground water with horizontal strokes of brown, green, and white, reflecting the surrounding colors.

  7. step 07

    Refine the highlights on the waterfall and rocks to create a sense of light and depth.

  8. step 08

    Add final details, such as small splashes of water and highlights on the foliage.

color palette

primary · titanium white · burnt umber · sap green

secondary · ultramarine blue · cadmium yellow · alizarin crimson

Mix greens by combining sap green with cadmium yellow or ultramarine blue. Create various browns by mixing burnt umber with ultramarine blue or alizarin crimson. Use white to lighten colors and create highlights.

techniques

  • ·dry brushing
  • ·scumbling
  • ·wet-on-dry layering
  • ·atmospheric perspective
  • ·broken color

common pitfalls

  • →Overworking the details, resulting in a stiff and unnatural appearance.
  • →Failing to create a sense of depth by not varying the colors and values in the background.
  • →Making the waterfall too uniform, lacking the variation in texture and color found in real water.
  • →Ignoring the reflected light in the water, resulting in a flat and lifeless surface.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·sap green oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·retouch varnish

Use a medium-tooth canvas for better texture. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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