apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Vista Del Puerto De Alicante
Vista Del Puerto De Alicante by Joaquín Agrasot

plate no. 5390

Vista Del Puerto De Alicante

Joaquín Agrasot, 1875

oilRealismlandscapeharborboatsfiguresskycloudsbuildings
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering complex scenes with multiple focal points. Students can also practice painting figures in a landscape and creating realistic textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to the horizon line and the placement of major elements.

  2. step 02

    Block in the sky with light blues and creams, creating soft, blended clouds.

  3. step 03

    Establish the base colors for the land and water, focusing on the overall tonal values.

  4. step 04

    Begin adding details to the buildings and mountain in the background, using muted colors.

  5. step 05

    Paint the boats and ships in the harbor, capturing their reflections in the water.

  6. step 06

    Add figures and barrels on the pier, paying attention to their proportions and details.

  7. step 07

    Refine the details and add highlights to create depth and dimension.

  8. step 08

    Add final touches and adjust colors as needed to achieve a cohesive and realistic look.

color palette

primary · ultramarine blue · burnt sienna · titanium white

secondary · yellow ochre · raw umber · ivory black

Mix blues and white for the sky, adding small amounts of yellow ochre or burnt sienna for warmth. Use burnt sienna and raw umber for the land, mixing in white to lighten the tones. Create the water with blues, browns, and grays, reflecting the colors of the sky and land.

techniques

  • ·atmospheric perspective
  • ·layering
  • ·blending
  • ·rendering reflections
  • ·scumbling

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a clear value structure.
  • →Using colors that are too saturated.
  • →Ignoring the effects of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·painting medium
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette of colors to simplify the mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy