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home·artworks·Vista de Mitla
Vista de Mitla by Jose Maria Velasco

plate no. 5053

Vista de Mitla

Jose Maria Velasco, 1888

oilRealismlandscapelandscapemountainsskycloudsbuildingsriver
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and color mixing to create depth. It also offers practice in rendering various textures, from smooth skies to rough rocks.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and placement of major elements like mountains and buildings.

  2. step 02

    Establish the sky with light blue and white, blending for soft clouds.

  3. step 03

    Block in the distant mountains with muted purples and browns, using lighter values for areas closer to the horizon.

  4. step 04

    Paint the mid-ground plains with a mix of ochre, brown, and green, varying the tones to suggest depth.

  5. step 05

    Add the buildings and trees in the mid-ground, paying attention to their relative sizes and shapes.

  6. step 06

    Develop the foreground with warmer browns and yellows, adding details to the rocks and vegetation.

  7. step 07

    Paint the river with a mix of blues and greens, reflecting the sky and surrounding landscape.

  8. step 08

    Add final details and highlights to create a sense of realism and depth.

color palette

primary · ultramarine blue · burnt sienna · yellow ochre · titanium white

secondary · raw umber · sap green · cadmium yellow light

Mix muted purples for the mountains by combining ultramarine blue and burnt sienna. Achieve earthy tones for the landscape by blending yellow ochre, burnt sienna, and raw umber. Use white to lighten colors and create atmospheric perspective.

techniques

  • ·atmospheric perspective
  • ·color mixing
  • ·layering
  • ·dry brushing
  • ·blending

common pitfalls

  • →Failing to create a sense of depth through atmospheric perspective.
  • →Using colors that are too saturated, resulting in a flat and unrealistic appearance.
  • →Overworking details in the background, which can flatten the image.
  • →Ignoring the subtle color variations in the landscape.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·acrylic or oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·mineral spirits or turpentine (for cleaning brushes)

optional

  • ·easel
  • ·medium gloss
  • ·painting varnish

Use a medium-grain canvas for best results. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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