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home·artworks·Vista de la ciudad de Tlaxcala
Vista de la ciudad de Tlaxcala by Jose Maria Velasco

plate no. 0866

Vista de la ciudad de Tlaxcala

Jose Maria Velasco, 1874

oilRealismlandscapemountainslandscapecityscapehillsskyfigures
some experience helpful

This painting provides practice in creating atmospheric perspective and rendering complex landscapes with varied textures. Students can learn to simplify details while maintaining a sense of depth and realism.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and the placement of the mountains and city.

  2. step 02

    Establish the sky with a light wash of blue and yellow, blending for a soft gradient.

  3. step 03

    Block in the distant mountains with a light purple-gray, paying attention to the subtle variations in tone.

  4. step 04

    Paint the mid-ground plains with ochre and brown, creating a sense of depth through value changes.

  5. step 05

    Develop the foreground hills with darker browns and greens, adding texture with broken brushstrokes.

  6. step 06

    Add details to the cityscape, simplifying the buildings and using lighter tones to suggest distance.

  7. step 07

    Introduce small figures and details in the foreground to add interest and scale.

  8. step 08

    Refine the overall painting, adjusting values and adding highlights to create a sense of light and atmosphere.

color palette

primary · ultramarine blue · yellow ochre · burnt umber · titanium white

secondary · raw sienna · cadmium yellow light · alizarin crimson

Mix various shades of brown and green by combining yellow ochre, burnt umber, and ultramarine blue. Use white to lighten colors and create atmospheric perspective.

techniques

  • ·atmospheric perspective
  • ·broken color
  • ·dry brushing
  • ·glazing
  • ·scumbling

common pitfalls

  • →Overworking the details in the distant areas, losing the sense of atmospheric perspective.
  • →Creating too much contrast in the foreground, flattening the sense of depth.
  • →Using colors that are too saturated, making the painting look unnatural.
  • →Neglecting the subtle value changes that create form and depth.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·#2 round brush
  • ·#6 flat brush
  • ·#10 filbert brush
  • ·linseed oil

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a glazing medium to enhance the depth and luminosity of the colors.

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