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home·artworks·Visão de São João da Cruz
Visão de São João da Cruz by Josefa de Obidos

plate no. 5269

Visão de São João da Cruz

Josefa de Obidos, 1673

oilBaroquereligious paintingfigurereligiouspaintingportraitinteriorclothing
some experience helpful

Recreating this painting will help students develop skills in rendering realistic figures, particularly drapery, and understanding subtle value shifts to create depth and form. It also provides practice in creating a focal point through composition and light.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures and objects.

  2. step 02

    Block in the main shapes and colors using thin washes of paint.

  3. step 03

    Develop the background, paying attention to the subtle variations in tone and color.

  4. step 04

    Focus on the figure of Saint John, building up the layers of paint to create depth and form in the drapery.

  5. step 05

    Paint the portrait of Christ, focusing on capturing the expression and details of the face.

  6. step 06

    Add details to the foreground elements, such as the flowers and the table.

  7. step 07

    Refine the overall composition and adjust the values to create a sense of harmony and balance.

  8. step 08

    Add final highlights and shadows to enhance the realism of the painting.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · alizarin crimson · yellow ochre

Achieve the muted tones by mixing earth tones with white and small amounts of crimson or ochre. Use thin glazes to build up color depth and create subtle variations.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·underpainting
  • ·portraiture

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the subtle variations in tone and color.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium gloss
  • ·mahl stick

Use high-quality oil paints for best results. Allow each layer of paint to dry before applying the next.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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