apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Virivis Fortuna temple
Virivis Fortuna temple by Arshak Fetvadjian

plate no. 1879

Virivis Fortuna temple

Arshak Fetvadjian, 1890

watercolor, paperRealismlandscapetemplearchitecturefigurebuildingsstreetsky
some experience helpful

This painting offers practice in architectural rendering and atmospheric perspective. Students can learn to simplify complex forms and create depth using subtle color variations.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: temple, buildings, and figure, paying attention to perspective.

  2. step 02

    Apply a light wash of diluted yellow ochre and burnt sienna for the sky and ground.

  3. step 03

    Establish the basic colors of the buildings with diluted washes, focusing on light and shadow.

  4. step 04

    Add details to the temple, such as columns and architectural features, using a smaller brush.

  5. step 05

    Paint the figure with simple shapes and colors, adding a touch of red for the clothing.

  6. step 06

    Strengthen the shadows and add details to the foreground.

  7. step 07

    Refine the overall composition and add any final touches.

  8. step 08

    Allow to dry completely.

color palette

primary · yellow ochre · burnt sienna · raw umber

secondary · ultramarine blue · cadmium red light · titanium white

Mix yellow ochre and burnt sienna for the warm tones of the buildings and ground. Use ultramarine blue and burnt sienna for the cooler shadows. Add white to lighten values.

techniques

  • ·watercolor washes
  • ·dry brush
  • ·atmospheric perspective
  • ·layering
  • ·rendering

common pitfalls

  • →Overworking the details
  • →Using colors that are too saturated
  • →Ignoring the importance of light and shadow
  • →Incorrect perspective

materials

surface · watercolor paper 140lb

required

  • ·watercolor paints
  • ·watercolor paper 140lb
  • ·round brushes (sizes 2, 6, 8)
  • ·flat brush (size 1/2 inch)
  • ·palette
  • ·water container
  • ·paper towels

optional

  • ·masking fluid
  • ·palette knife
  • ·ruler
  • ·kneaded eraser

Use high-quality watercolor paper for best results. Experiment with different brush sizes to achieve various effects.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

watercolor techniques →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy