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home·artworks·Virgin with the Instruments of the Passion
Virgin with the Instruments of the Passion by Giuseppe Maria Crespi

plate no. 6158

Virgin with the Instruments of the Passion

Giuseppe Maria Crespi, 1730

oilBaroquereligious paintingfigurereligiousdraperyhandscrown of thornstable
some experience helpful

Recreating this painting will help students develop skills in rendering drapery folds and capturing subtle skin tones using a limited palette. It also provides practice in creating a focal point through the use of light and shadow.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main shapes: the figure, drapery, and table.

  2. step 02

    Establish the dark background using a thin wash of dark brown or black.

  3. step 03

    Block in the main areas of color: the blue drapery, yellow scarf, and skin tones.

  4. step 04

    Start building up the values, focusing on the areas of light and shadow on the face and hands.

  5. step 05

    Add details to the drapery folds, paying attention to the way the light interacts with the fabric.

  6. step 06

    Paint the crown of thorns and other objects on the table, using small brushes for detail.

  7. step 07

    Refine the edges and blend the colors to create a soft, atmospheric effect.

  8. step 08

    Add final highlights and shadows to enhance the three-dimensionality of the forms.

color palette

primary · ultramarine blue · yellow ochre · burnt umber · titanium white

secondary · alizarin crimson · ivory black

Mix blue and umber for the darker shades of the drapery. Use yellow ochre and white for the skin tones, adding a touch of crimson for warmth. Create shadows by mixing umber and blue.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·blending

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Losing the softness and atmospheric effect.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·linseed oil

optional

  • ·alizarin crimson oil paint
  • ·ivory black oil paint
  • ·palette knife
  • ·painting medium

Use a medium-tooth canvas for best results. Consider using a glazing medium to enhance the transparency of the colors.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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