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home·artworks·Virgin and Child in a crown of flowers
Virgin and Child in a crown of flowers by Erasmus Quellinus the Younger

plate no. 4236

Virgin and Child in a crown of flowers

Erasmus Quellinus the Younger

oil, canvasBaroquereligious paintingVirgin MaryChildFlowersReligious FigureFloral WreathBaroque
experienced study

Recreating this painting will help students develop skills in rendering human figures, drapery, and floral details, as well as understanding the use of chiaroscuro to create depth and form.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the floral wreath.

  2. step 02

    Establish the dark background tones with thin washes of burnt umber and black.

  3. step 03

    Block in the main colors of the figures: flesh tones, drapery (red and blue), and hair.

  4. step 04

    Begin layering the floral wreath, starting with the larger flowers and then adding smaller details.

  5. step 05

    Refine the figures, paying attention to the light and shadow on their faces and bodies.

  6. step 06

    Add highlights to the flowers and foliage to create a sense of depth and realism.

  7. step 07

    Glaze the painting with thin layers of color to unify the composition and enhance the richness of the tones.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · Titanium White · Cadmium Red · Ultramarine Blue · Burnt Umber

secondary · Yellow Ochre · Alizarin Crimson · Sap Green · Ivory Black

Mix flesh tones using titanium white, cadmium red, and yellow ochre. Create shadows with burnt umber and ultramarine blue. Achieve floral colors by mixing primary colors with white and umber for muted tones.

techniques

  • ·Chiaroscuro
  • ·Glazing
  • ·Blending
  • ·Layering
  • ·Scumbling

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too bright or saturated.
  • →Losing the overall composition by focusing too much on individual elements.

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Oil paints (Titanium White, Cadmium Red, Ultramarine Blue, Burnt Umber, Yellow Ochre, Alizarin Crimson, Sap Green, Ivory Black)
  • ·Assorted brushes (round and flat, sizes 2-8)
  • ·Palette
  • ·Linseed oil
  • ·Turpentine or odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·Medium gloss
  • ·Retouch varnish
  • ·Easel

Use high-quality oil paints for best results. Allow each layer of paint to dry before applying the next.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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