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home·artworks·Virgen De Portacoeli
Virgen De Portacoeli by Francesco Ribalta

plate no. 2875

Virgen De Portacoeli

Francesco Ribalta, 1627

oilBaroquereligious paintingfiguresreligiousarchitecturecrownbabyhalo
experienced study

Recreating this painting will help students develop skills in rendering figures in dynamic poses and understanding chiaroscuro to create depth and drama. It will also help with layering and glazing techniques to achieve the rich, warm tones.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures and architectural elements.

  2. step 02

    Block in the main shapes and values using a limited palette of earth tones.

  3. step 03

    Begin layering colors, starting with the darker areas and gradually building up to the highlights.

  4. step 04

    Pay close attention to the light source and how it affects the forms of the figures.

  5. step 05

    Develop the details of the faces and clothing, using small brushes and precise strokes.

  6. step 06

    Glaze thin layers of color over the painting to unify the tones and create depth.

  7. step 07

    Add final highlights and details to create a sense of realism.

  8. step 08

    Varnish the painting to protect it and enhance the colors.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · cadmium red · yellow ochre · ultramarine blue

Achieve the flesh tones by mixing white, red, and a touch of yellow ochre. Use burnt umber and black for the dark shadows. Mix ultramarine blue with burnt umber to create deep blacks.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·figure drawing
  • ·portraiture

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Losing the overall sense of unity in the painting.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·turpentine

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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