apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Village Kermis in Schelle with Self Portrait
Village Kermis in Schelle with Self Portrait by Jan Brueghel the Elder

plate no. 9421

Village Kermis in Schelle with Self Portrait

Jan Brueghel the Elder

oakBaroqueself-portraitfiguresboatsbuildingstreesriversky
experienced study

Recreating this painting will help students develop skills in depicting complex scenes with many figures and objects, and understanding atmospheric perspective to create depth.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
1

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to map out the major elements: the village, river, boats, and crowds.

  2. step 02

    Establish the horizon line and basic perspective of the buildings and river.

  3. step 03

    Block in the large shapes of the sky, water, and land masses with thin washes of color.

  4. step 04

    Start adding details to the buildings, trees, and boats, working from background to foreground.

  5. step 05

    Begin painting the figures, focusing on capturing their gestures and interactions.

  6. step 06

    Refine the details of the figures, adding highlights and shadows to create form.

  7. step 07

    Add final details such as birds, reflections in the water, and small objects in the foreground.

  8. step 08

    Glaze over the entire painting to unify the colors and create a sense of atmosphere.

color palette

primary · ultramarine blue · yellow ochre · burnt umber · titanium white

secondary · cadmium red · viridian green · raw sienna

Achieve the muted greens by mixing yellow ochre with ultramarine blue and a touch of burnt umber. Create atmospheric perspective by adding white to the blues and greens as you move towards the horizon.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·figure painting
  • ·scumbling
  • ·layering

common pitfalls

  • →Getting bogged down in details too early.
  • →Failing to establish a clear sense of perspective.
  • →Using colors that are too saturated.
  • →Not creating enough variation in the figures.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 0, 2, 4, 6)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·damar varnish
  • ·retouch varnish
  • ·medium

Use high-quality oil paints for best results. A smooth canvas surface will be easier to work with for fine details.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne